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This typeface is a free version. So, it can be used for display, trading designs, or on any fields and designs. So, it is absolutely free for private use and commercial use. This font is a script-type font style. This font style is using in the logo of the American animated series named adventure time that is directed by Pendleton Ward specially created for Cartoon Network on 05 April So, there is no limitation to its usage.
Feb 8, Oct 20, Dec 21, Mar 23, Aug 6, We love high quality free fonts and we like to share them. Some fonts provided are trial versions of full versions and may not allow embedding unless a commercial license is purchased or may contain a limited character set.
Italian designer of the primitive hand-printed typeface BKappa La Letteria is located in Berlin. In , Elena cofounded LetterinBerlin, a studio dedicated to handmade and digital design, with a special focus on lettering and type-design.
Her typefaces: The connected script typeface Dolce , which won an award at the TDC2 type competition. Dyna A connected feminine script. Scritta connected calligraphic script. Followed by Scritta Nuova : a rhythmic upright connected script , which evokes retro calligraphic styles taught in Italian schools around the s.
Helene squarish face. A Gregorian chant font that won an award at TDC2 Deja Rip and Deja Web An eight-style sans family of great utility, co-designed with Fred Bordfeld; Cyrillic included.
Acuta An all-purpose type family. Nouvelle Vague A connected display script along the lines of Mistral. Spinnaker A sans design based on French and UK lettering found on posters for travel by ship.
The plump and curvy script typeface Molle , Google Web Fonts. Kiez , The Blackmoon Foundry. Vidal A wide sans with low contrast and medium-to-tall ascenders. Coast An almost monoline sans inspired by enamel signs from the s. MyFonts link. Google Plus link. Graphic and type designer in Milan. Italian graphic designer, b. Amsterdam, , d. Milan, He lived and worked in Milan from until his death. Noorda attended the Instituut voor Kunstnijverheidsonderwijs now the Gerrit Rietveld Academie , graduating in He moved to Milan in In Italy, Noorda gained fame for his design in the late s and early s for posters and advertisements for Pirelli where he also served as art director.
The typeface used for the Milan metro was called Noorda. Noorda is a modification or optimization of Helvetica. Several other subway systems later used his typeface, including the entire New York City subway system in the s, as well as other subway signage projects for Noorda in Sao Paulo, Naples and the regional train network in Lombardy.
In , Noorda and fellow Milan-based designer Massimo Vignelli were among the seven founders of Unimark International, an American design firm with offices around the world, including Chicago and Milan. From to he was a professor of visual communication at Politecnico di Milano. Skyje link. Dave Farey's great essay on the history and implementations of Bodoni.
All Bodoni typefaces published today have genetic material from Giambattista Bodoni's original. Linotype's version. Adobe's version. Bodoni Modern R. Middleton, s, for the American Ludlow foundry. See his Bodoni Campanile, sold by Bitstream as Modern URW offers Black and Stencil weights. Bauer Bodoni Heinrich Jost, Dave Farey argues for its delicacy but still calls it a bastard. For display only. Related to the ATF version. Designed in a two-year period by Gerd Wiescher, this is the first Bodoni version that tried to stick closely to Bodoni's original drawings.
Farey complains that the italics are not tilted enough though. These come in 6, 12 and 72 point ranges and form an extensive extremely useful family. Versions sold by URW and Linotype. Bodoni Classico , designed by Franko Luin at Omnibus. Clearly, for display only. URW Bodoni. Many say that they are closer to Bodoni than to Didot--just look at the question mark, but Porchez based his work on late style Didot's published around BohFonts [Giuseppe de Cesare].
He created the informal typeface Zarina Sans for use as a text face. The design elements are quite interesting, with carefully chosen and different angles for increased legibility. Firenze-based foundry. Their work can be found in Campione dei caratteri, fregi e vignette della fonderia tipografica dei fratelli Boyer e c. Italian designer of Yagiza , techno face , which can be downloaded here.
Marquette, Michigan-based creator b. Italy of the spurred typeface Storico Rome, Italy-based designer of the modulated sans typeface Segmento and the display typeface Zeronine In , he designed the pixel typeface Mhtirogla, in the knife-edged Okkur, and in Danzante and Okkur.
Brito Renato. Italian designer at T who made the Cubica and Orgasmia families in An essay by Bruce Rogers on Italian printers in Venice in the renaissance period. Typefaces from Osmica. Typefaces from Desta a squarish family in 18 styles, with some styles branded neon , Agosto a dry brush script with calligraphic roots. Roman graphic designer and landscape architect who created the fun display typeface Amaro Graphic designer from Catania, Italy.
He created the ultra-geometric typeface Eidos Bruno La Versa did the illustrations for that project. Italian artist, writer, designer, architect, graphic designer, educator, and philosopher, who proposed one font, Essential, in , consisting of the minimum parts of letters needed for readability.
His principles were lucidity, leanness, exactitude and humor. Born in in Milan, he died there in Forma was revived by Tankboys as Forma Nova. Several typefaces have been made tio honor his work. These include Munari , Dori Novotny. Dolcevita link. Munart: dedicated web site. Italian co-designer, with Nicola Manzari at Unio Creative Solutions, of Macaw , an 8-style text family based on early s Italian newspaper type. It was slightly modified by Barta karoly , with updates here.
Designers of very original and semi-experimental commercial display typefaces that appeal to avant-garde designers and the capuccino crowd: Trash , Ockham , Monor Marco Comastri Bunker is located in Modena, Italy. His design studio does some custom font work, among many other things. Spaghetti Grafica poster. Alessio Leonardi b. Florence, is an Italian designer and type designer who lives in Berlin since His humor shows through his letters and his many dingbats. In he founded Buy My Fonts that produces typefaces for corporate applications and also for standard use.
Speaker at ATypI in Rome in The Alberobanana project tries to suggest an alphabet that could have been. In , he started the pixel font project BMF Elettriche. Available from MyFonts , it includes styles. Speaker at ATypI in Brighton. F2F Allineato : grunge, part of the Face2Face project. FF Baukasten : grungy pixel face. BMF Bolbody, or Bolbodico. BMF Brera. Includes Sans , Serif, Letter.
Includes Pieno, Vuoto, Prospettico. BMF Zazi. Flickr group about Italian typefaces. Cagil Aygen [Velvele Design Community]. Cameron Moll is a type specialist. He writes extensively on type design and typography.
Giovambattista Palatino ca. As a student, Camilla Bertoni Cuneo, Italy, b. Designer in Milan. Creator of the Stapler Font , experimental. This is a multi-year project at Accademia di Belle Arti di Urbino Italy which has workshops and ateliers, and occasionally goes into type design. The type design activities, such as the free open source type family Titillium , are done under the leadership of Luciano Perondi. However, Titillium is a work in progressit is unfinished and for Florian Hadwig's eye, a bit too close to Klavika.
Titillium Web at Google Fonts. Carla Scorda. Graphic designer in Rovato, Brescia, Italy, b. She cofounded Studio Charlie with Gabriele Rigamonti and Vittorio Turla , with whom she co-designed the futuristic Stereotype family Organiser of the international calligraphy award Belle Lettere The resulting publication Belle Lettere won the Fedrigoni Prize for graphic excellence.
At ATypI in Rome in , he spoke about two fonts he created: The font Ritratti was extracted from an Aldina edition and traces the cursive writings drawn and inscribed by Griffo at Venice, so as to imitate the original handwritten text. The font Anno Mil le was used in another Mazzacurati film, La lingua del Santo , and graphically reinterprets the light-hearted and fluid feel of medieval capital letters.
These two fonts highlight the roughness and imprecision typical of ancient print and the heterogeneous nature of letters written loosely by hand. Italian foundry in Torino. Scan of a specimen book cover , Photographer in Genova, Italy. In , he used the golden ratio when he designed the free vector format slab serif typeface OC1. Roman graphic designer, b. Paris, who studied at the Accademia delle arti e nuove tecnologie.
Creator of the droopy-serifed New Forty Five , the bubblegum font Gummy Milan, Italy-based designer of Amore , a female breast dingbat typeface. Graphic designer in Milan, Italy, who created the custom typeface Musa for the museum magazine Musa. Rome, Italy-based designer of Giotto , a school project typeface based on the Angela di Giotto mosaic. Their typefaces: Divenire Divenire is derived from an earlier custom typeface designed for the Partito Democratico Italian Democratic Party , which uses it for political communications.
For the information of non-Italiansthis is not Berlusconi's party. Dic Sans , Luciano Perondi. This elliptical sans was inspired by Aldo Novarese's Eurostile. It has its own idiosyncracies, and comes with a gorgeous Dic Sans Extra Bold weight Brevier Riccardo Olocco's typeface was designed for setting long texts in small or very small type sizesthe name Breveir refers to 8 point size in ancient times. Gramma , Riccardo Olocco. A compact temporary sans with large x-height.
Brasilica It is a serifed typeface but has matching sans styles. My own first reaction to this typeface was sturdy. Brasilica won an award at Tipos Latinos Macho Modular By Luciano Perondi. Macho was originally designed in for MAN Museo d'Arte Provincia di Nuoro and is based on the idea of modular widths of the 20th-century typesetting systems, as required by the Olivetti Margherita and the hot-metal Linotype machine. He writes: is a sum of different styles, from Francesco Griffo to Granjon, from modern typefaces to the first sketches of Times New Roman.
Zenon is an apparently Renaissance revival with modernish proportions. A closer look reveals that it is a typographic potpourri.
Zenon was published by CAST in Sole Serif A text typeface family by Luciano Perondi, who writes: Sole Serif is a newspaper face with features relating to book typography. Inspiration from Francesco Griffo's romans was adapted to resist the rough usage typical of newspaper printing without any loss of quality. Sole Serif is available in an extensive range of cuts including extra bold and ultra thin. With its big x-height, short ascenders and a roundish and wide italic for text and titles, it has all the attributes of a newspaper face.
Nonetheless, details like the inclined axis, calligraphic terminations, Renaissance proportions and a refined but slightly mannered design, all evoke the book rather than the daily paper.
It was originally designed for the leading Italian financial newspaper Il Sole 24 ore. Graphic designer in Milan, Italy, who created the creamy typeface Chocolate Drop Davanzati has elements of Bembo like the nose in the e and Trajan. They are very complete and highly recommended. Type 1 versions here. In , he added the CB Coptic family metafont , which was based on files created in by Serge Rosmorduc.
The type 1 fonts were made by using TeXtrace and pfaedit by Apostolos Syropoulos. Cecilia b. In , Cecilia Negri and Virginia Nardelli, who where then both located in Milan, took the Fiat logo, and set out to design a full condensed, octagonal alphabet by extrapolation, called the Fiat Typeface.
She also designed a set of animal silhouettes called Dinner Time Italian calligrapher who drew a few calligraphic and brush alphabets in During his studies, Bassano del Grappa, Italy-based Cesar Bourgeois created the ruler-and-compass typeface Process Rome-based designer of the free circle-themed sans typeface Equos Chef Studio is located in Pietrasanta, Lucca, Italy. Its founders are Igor Biagi and Andrea Biagi b. Designer of the counterless modular typeface True Oasi and of the beautiful multiline connect-the-dots typeface Ego , free.
Andrea Biagi's home page. Igor Biagi's home page. Visual designer in Milano, who created the virtual type and identity for Agfa in starting from their old logo. Around the same time, Mirko Landi, another designer in Milan, did a similar thing. I wonder if they were not doing a school assignment. In , she created the lapidart sans typeface Xanto. Merate, Italy-based designer of the fashion mag piano key typeface Muscle Graphic designer in Milan, who graduated from the Politecnico.
In , she showed her techno typeface Aspes on Behance. It was made a few years earlier during her studies. Cagliari, Italy-based designer of the free art deco display typeface CS Blocks Italian creator of the pixel script typeface Graphicavita Chiara lives in Venice. Art director in Rome who created the display typeface Neomerovis during a course at l'Accademia delle Arti e Nuove Tecnologie.
Graphic designer in Milan, Italy, who ceated the geometric sans typeface Spatial in Roman signage inspired her in the creation of four alphabets in Sermoneta Victorian , Giolitti Victorian , Credito Italiano Victorian , and Deccio avant-garde. This type family was designed for small print. Their creations include Fetta di Polenta Extra Narrow and Sweetest , both based on lettering used by architects on drawings, and made by Andrea Zanchetta.
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